No space, architecturally, is a space unless it has natural light

The bridge, a place of transition, a symbol of the union between past and present

The significance of architecture is found in the distance between it and function

The window shall not lose his sight focused

The intention is not to close but wrap

The stone speaks of its distant geological origins, its durability and inert permanence

The man of the initiative, action, thought, the leader, requires a shelter for his meditations in a quiet and safe place

The wall being built in the hope that at a particular time, the light grant him a moment almost unrepeatable

What is real is not the exterior form but the idea, the essence of things

It is not until very low levels of light that our pupil dilate. When it does dilate, we actually begin to feel light, almost like touch

The vacuum with which you put order or is purified,with which you enclosing without cluttering

What slice of sun does your building have?

Simplicity of shape does not necessarily equate with simplicity of experience

The contrast of textures, rough and smooth, call upon both visual and tactile senses

Full of air space

The forms that put in value the shadows are more evident and become at the same time intangibles

The emotional appeal that is based on the shadowed dimness of indirect lighting, in which form is only vaguely revealed

Is it then a place of ritual purification, the equivalent of a holy-water stoop?

The architectural work is in stone

To reach a multiple perceptual sense, multi-sensory through the materials, the light, the textures

Trees and stones will teach you what you cannot learn from masters

The glass encourages the experience of illusion and dreams

The things which are seen are temporal, but the things which are not seen are eternal

Form precedes design

Can architecture be heard?

Manipulation of space, material, and light and shadow to create a memorable encounter through an impact on the human senses